Empoword

Part One: Description, Narration, and Reflection 142 “It was very brave what you did,” she smirked, “but we can’t have that on our record, you know how it is.” She gave me a wink. I did not know what to make of that. Amber was also subject to their lectures. She was told she had to forfeit her position as a student leader for being a “convicted atheist”—more specifically, that she had no business leading because of her system of beliefs. She argued that she was nominated by faculty, and that Mr. Clark was also an atheist embraced by the staff. To no avail. Olivia thanked me. She said it was the best thing anyone had ever done for her. As an act of compromise, the campus ministry let her say a prayer over the intercom system. People were moved. Silence reigned. Our art teacher, Mrs. Dupuy, cried. In a city of millions and a country of hundreds of millions, one girl in a small Catholic high school was viewed as threatening to the point of disrupting the entire framework. How could something so miniscule pose such a threat to our adult overseers? I never attacked their religion, but they were so adamant in attacking anyone’s lack thereof. They preach “universality,” but where? They lost all credibility with me. After that, I became passive, stopped participating, and kept to myself. I often found myself cheek first against my desk in religion classes while Miss Nick ignited a pro-life/pro- choice debate that swept across the room. The songstress rallied for nigh fundamentalist practices that I’d never seen within a Catholic church. In the yearbook’s senior superlatives, there’s a picture of me under “Class Rebel,” but it didn’t mean anything. An embarrassment. No one seemed sincere after that. Self-interest ruled everyone around me: Teacher Takeaways “This author’s use of dialogue is especially striking to me. Because the individual characters (and the way they speak) are each so vivid, I am more invested in the way the narrative plays out. I also appreciate this author’s reflection; it’s a good reminder that reflective writing doesn’t haven’t to sound like a self-help book or motivational speaker. On a global level, I would love to see this author apply their skill with dialogue to tell this story from multiple perspectives. What if Olivia was a first-person narrator in one section? What if we saw Miss Nick in her office alone after the confrontation?” – Professor Dawson

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