Viking_Yearbook_66

-tF- l{llih gilll8ry The White Callery is no longer white. Since last fall its once antiseptic walls have been dressed in unobtrusive and art-f lattering burlap. And since last fall the exhibitions in this 12 by 4O foot traffic lane to the College Center Lounge and Browsing Library have played to what are probably the largest gal- lery audiences in Portland short of the Art Museum itself. Diversity was the mark of this year's White Cal lery exh i bits. The exq u isite craftsmansh i p of William Spratling, silversmith, was dis- played early in the fall, followed by an ex- hibit of Harold Kottler's forceful ceramic constructions and thrown pieces. Early in winter term, students and townspeople saw the sensitive oils of Frederick Klein, one of Portland State's own art teachers, the exhibit supplemented by paintings of James Prior and Keith Jones, both recently graduated from the college. The Prior and Jones can- vasses were the opening art attraction in the second-floor dining room and third floor exhibit hall of the new quarter block College r Center wing. ,i\r i u*"b?:":-. -*d # l$ " sl k q6".WqtiH*\*@iew8*6 *