Clinton St. Quarterly, Vol. 4 No. 2 Summer 1982 (Portland)

hHP ('DPAT M f fQ CAPER B uses are boring to look at. They’re big, they block your view. So when Tri-Met commissioned artist Scott McIntire to design the Zoo Bus, it was a promising beginning for turning those lumbering boxes into something interesting. But what if a number of artists had their own buses to design, we wondered, somewhat perversely. So we contacted ten artists and entities, shall we say, each doing exciting individual work — some, painters with established galler- one art collective who call themselves The Girl Artists. Eleven art ies, others working in more experimental veins — some young, some older — to see what they would come up with. The results, as you can see, are all over the map. We thank and tip our hats to all the artists who participated, for joining- us in this scheme and for the contribution their everyday work makes to the artistic life of the city. As for the rest of you, we suggest you gather up your shopping bags and attache cases and put yourself in the place of those passersby as around the corner rumbles the 26.. . . 10 Clinton St. Quarterly

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