PATHS 113 f 4» he L ^a tie - a« n tune. fiV f t e r Z z “ S » t retries as to provoke a good deal of ridicule SKETCH A FEW POSSIBILITIES THINK OF TREES AS YOUR PRIME TOOL e gardens tn favor of the earned to such exabandoned tn land; curve ThefashnM P A T H S V E u r o p e a n P a th s In rhe formal garden. n c jp « g f i jc ■c-r W R B century, ^ 9 directly frorm siooal garden paths, and, oi .serpentine cw formal a * gave way t® scape scho* revolution . luted paths fulfil! specific li practical level they ® hegments, providiqf m h io r Kiir- u h i f f and bushes in the Wtunity of winding f credit to himself for to 'nature ' "O n a irson, in Gardentny nan who so lengrh- treet to his front door 'it was hard on the ys, and it was said , sewing-machine h iu il ij rueday TbeCUnths. ‘*r~~. ml . At rhe most Marriagt by Coie- he newly-nch Mr waimerHS he has iiliiaBwMZfoMaai> the t^ch c e J ^ ' . straight hnes were W tlte ly K ! c . . f t s r e ^ *%*» " W r ^ r 7* yMk fcs.”:**® DESIGN FOR HARMONY KarenWirth Planting an Idea PLANTINGAN IDEA Clinton St. Quarterly—Spring, 1989 27
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