t d i t o r David Milholland Editor at Large Lenny Dee Associate Editors Jim Blashfield, Paul Loeb Editorial Assistant Lee Emmett Washington State Coordinator Judy Hines Bevis Art Director i David Milholland Designer Candace Bieneman Guest Designer A Reed Darmon Contributing Artists Peter Bagge, Carl Chaplin, C. T Chew, Craig Bartlett, Michael Dougan, Barbara Sekerka, Vicki Shuck, Marly Stone, Steve Willis Contributing Photographers Carl Chaplin, C. T. Chew, Peter Rowlands, Marly Stone, Account Representatives—Oregon Rhonda Kennedy, Lisa Miller, Ellen Harmon Account Representative— Washington Philip Minehan Ad Production Rhonda Kennedy, Robert Williamson Typesetting Harrison Typesetting, Inc., Lee Emmett, Marmilmar, Arrow Typesetting, Qualitype Camerawork Craftsman Lithoplate, Inc. Cover Separations Portland Prep Center, Inc. Printing Tualatin-Yamhill Press Thanks Adelsheim Vineyards, Judy & Stew Albert, Robert Anderson, Linda Ballantine, Walt Curtis, Dru Duniway, Margaret Dunne, Dennis Eichhorn, Molly Hershey, Hood River Brewing, Anne Hughes Coffee Room, Bob Jeniker, Craig Karp, John Laursen, Elizabeth Leach Gallery, Deborah Levin, Peggy Lindquist, Zak Margolis, Theresa Marquez, Melissa Marsland, Doug Milholland, Kevin Mulligan, Larry Needham, Norman Solomon, Northwest Film & Video Center, Missy Stewart, Sandy Wallsmith, John Wanberg, The Clinton 500 De-Euphemizing the Sixties— \ John Bennett A journey through the “Summer of Love” in 5 decades of our century— from Guam to Eugene, from Franl?Sinatra to the Grateful Dead. $ Dear Ms. Lonelihearts— Jonathan Lowe / . / A satire from surplus parts. Keeping up with Floyd Cramer, figuring out the wife and getting to Cuba. Art Nuko and The Bunker— Arthur DabneyM (Not quite) enough firewood for a nuclear winter. Will we reach critical mass before the hour comes Fish From Your Window- ‘round? Jane Carlsen I'm hooked. Her line ’s in the water. Where do we sink the memories? Organ Trail—Craig Bartlett Organ sets out on the heels of his dp- gooder brother Mark, who is spreading the word for Don Hodel and the Reagan Revolution. Bagge, Michael and Steve Willis A half-cure for those summertime blues. Praise the Lord and duck for cover. A featurette from Seattle Star. Rituals of Curry and others Exotic Concoctions— ■ Marilyn Stablein Life in the slow lane—learning the essence of simmer, mango lassis, ganja balls, dung fires and teeth- rattling sweets. Trifling with the Juggernaut—Joe Sackett Our author deciphers his past and responds to his present—’’Nukes have been in my face since the day I was born.” _ ' ..._ . . Spending Eternity in Egypt—Carl Chaplin On th e ro ad w ith Dr. A r t N u k o . . .w h e r e was the U.S. Ambassador? Cover image: Wishing on a Star in Faritasyland Carl Chaplin Art Nuko >. ^ •1 The Clinton St. Quarterly is published in Oregon, Washington and National editions by CSQ—A Project of Out of the Ashes Press. Oregon address: P.O. Box 3588 , Po rtland , OR 97208 —(503) 222-6039. Washington address: 1520 Western Avenue, Seattle, WA 98101— i (206) 682-2404 . Unless otherw ise i noted, all contents copyright 1988 i Clinton St. Quarterly. J O K W T X t l C M i M M V . 1 **=c*La r r i —n H . — J Artist Carl Chaplin just returned from a Cairo showing of his ART NUKO paintings of nuclear explosions over the world’s major cities. There he unveiled Spending Eternity in Cairo and scenes of firestorms over Moscow, Washington D.C., Tokyo and even his own home, Vancouver B.C. He also took along his most controversial canvas to date, on loan from the R.B. i Torrie collection, Wishing on a Star in Fantasyland. Not long ago, the Disney folk complained, and asked Carl to destroy the remainder of the 14,000 postcards he’d been selling of the image. The “ Mickey Megamouse” painting was reproduced and Chaplin’s work was written up in such Canadian mass circulation papers as The Province and The Globe and Mail. It’s rare that this issue, the literal potential for destruction of our planet, is so provocatively brought forth. Both news and mail travel very slowly between our neighbor nations. We learned of the ART NUKO series and controversy only late this spring. Our own fantasyland, Fortress America, could all too easily go up in a puff of smoke, right before our eyes. Watching the world on TV, i t ’s seductive to feel good because, in one of the great whitewashes in history, our Megaton president, succumbing to Nancy’s machinations and decades of world pressure for peace, is suddenly portrayed as a peacemaker for his summit treaty proposals. Only four years ago Reagan used the L.A. Summer Olympics to decry the “ Evil Empire” and buttress his fee l-good— "America’s Back” — election victory. We’ re now facing Round Three: a plebiscite pitting his designated successor, ex-CIA head Geo. Bush. vs. Gov. Dukakis and his Lone Star running mate Sen. Bentsen. Candidates such as Dr. Leonora Fulani, running a brave bu t l ig h t ly funded campa ign , should also be considered. Dukakis has much to recommend him. His clear, consistent position on Central America has included involvement in a suit to prevent Mass- achussetts Nat. Guard troops from being sent to “ train” in Honduras. His stand on South Africa is consistent with that of Jesse Jackson. Successful employment programs in his home state linked up the private sector with government to end a long-term recession there. He is what he's being labeled: a liberal from a liberal state. Unfortunately, the Mass, recovery cannot be realistically separated from the state’s huge number of computer and software firms— Defense contractors that grew dramatically during the early Reagan military buildup. What’s still missing from the Dukakis campaign is a program for building past our nuclear arsenal to create a strong, economically viable nation which is not the world’s chief arms supplier and dreadnought. Unleashing the innovative energy of this nation for peace, with liberty and justice for all, has surely got to be the challenge of the end of the century. We should not imagine that a strictly liberal/radical slate can beat a Republican candidate bankrolled by big business. Neither should we endorse or elect busi- ness-as-usual candidates at this critical juncture for our nation. We need to share our hopes and concerns with these candidates, with our children and with one another. Artist Chaplin provides a fitting ending: “ . . . Free us this day from our daily apathy, but forgive not our dread. . . . Sharpen our satire with rage, for art is the power to tell the story that saves the world, forever and ever. Am en , a w om en , apeople.” DM Clinton St. Quarterly—Summer, 1988 5
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