Clinton St. Quarterly, Vol. 7 No. 1 | Spring 1985 (Seattle) /// Issue 11 of 24 /// Master# 59 of 73

Oh God how much I missed that man. I was dying for missing him. For all my embarrassment though, everyone in the bar who noticed—and most didn’t I think— behaved quite beautifully about it. Maybe they thought I was crying about the elections. Ted and Judy were acting like nothing was happening. Danny the bartender immediately ceased his rapacious stare and looked away, very sad seeming. He brought me kleenex and a cup of coffee. Running Dear and Brent and Stan seemed full of compassion and respect too, meeting my eyes now only briefly, enough to show sympathy and their own pain and sorrow. So I guess it was that song that was doing it to me, that song that went on and on, my tears that kept coming and coming. I could hear in the guitars somewhere my father screaming at me, “Better dead than red'.’’ which made a new gush pour forth. I wondered if my period had started, or what? I certainly couldn’t move to find out. But oh, Alcatraz in the San Francisco Bay floated right into the sea of my eyes, any day now, any day now, I. Shall be. Released. They say every man needs protection. I noticed that my sister’s best friend, April, had moved near me, in a sort of protective way. It occurred to me, in a new flood of tears, that I was doing this for her. She had cried in my arms a number of times, telling me her sad stories. I was probably trying to make her feel good, to show her that I too cry. It was so new to me to be a single woman, to reveal my most intimate self to folks I’m not intimate with. Ted was making jokes now. I couldn't hear them well but I was thinking I was crying because I wanted him and Judy to sympathize a little with me, to know how much that great guy Max had killed me and the kids. He handed me another tequila sunrise. Huge tears splashed off the end of my nose onto his hand. Ted was a man I could marry, have babies with, love deeply and faithfully, but I couldn’t fuck him in a one night stand with his wife and my husband in the same bed. I suppose I knew somewhere that the grief I was feeling in this song was not just for Max and the guys behind bars, but for myself, my deep yearning to be released, emotionally, to be loved for my whole self instead of being loved for all that I repress. I had been married so young and my husband had quit talking to me on the night of our wedding and never again spoke to me, although I stayed with him seven years and had two kids by him. I’d been married so young, fifteen, I never had mastered—or is the word mistressed?— the art of dating. They say everything will be replaced. They say every distance is not near. And yet I remember every face of every man who put me here. Though I could hardly see any of them now through the sheet of water on my eyes. I certainly couldn’t trust any of them. I knew most of them just wanted to fuck me—and oh God 1 couldn’tmovefrom mybarstool,forttying tofight them, huge teardrops, great glassy balls of water shooting out of my eyes, spraying everything, I couldn ’i belieie it,pouring out like rain. did that sound good—and one of them I knew would gladly take all of me, even the poet in me, and my kids and my female pup in heat and her mongrel suitors too, forever to his small, kind chest, but oh, everytime I tried to imagine touching him I started crying. I could see so clearly my whole life come shining, that Max’s leaving me was just like the loss of my country I loved so deeply, unconditionally. The dream was over. Two hundred years. I had loved so greatly and failed so utterly. Heartbroken, Isat there, thinking I’d better hurry and go vote before the polls closed, crying for my country from the west down to the east. A man I didn’t know, a wild longhair I'd have thought would have been hipper was saying how lucky we are in America to be able to vote. My tears were like an explosion then. If I could have spoken I would have yelled, vote for what? For who? In all the elections of our lives there’s been no one, no one we could love. “Man,” another very cool looking guy was saying. “I didn’t know nothin’ about politics in the Sixties. All I knew was acid. I took LSD every day for years. I never voted until last time, ‘72, McGovern, or was it Humphrey, can anyone remember? McCarthy? Anyway, I had a girlfriend who convinced me it was important. We were on Whidbey Island in Washington, headed for the Central Tavern in Seattle for the big victory party. It took us five hours to get there and man, there weren’t no party. The world was coming to an end tomorrow. Fuck, that’s the last time I vote, man. Never again. No way.” “I’m crying in public on election day!” I blinked, swallowed, croaked. “It’s the Bicentennial!” But even with my growing understanding, the tears would not stop leaking through. “Oh, thankgoodness,”Judy said. “Iwas afraid it was my talking about Max. I felt so bad for doing that to you. But then I realized it was that song playing." Then she really made me bawl. “Oh, Sweetie," she said, putting her hand on my shoulder. “You shouldn’t feel so bad. Don’t you know men like to see women cry?” Then Stan was there. He said he thought the song was the national anthem for this generation. So Running Deer came over and said that song was written by Dylan after his motorcycle accident and is about the release from fame, this life, through death. “That song resulted in Dylan changing his career." April said, “It’s the Aquarian Age. Men think all the world depends on them. If they cry or lose control, all’s lost.” And then Brook came over. Brook, whose long marriage was breaking up too—both of us had been married since we were fifteen. “But that song,” she said, “is about being released from prison.” Then these weirdos stood around me and talked about how wonderful it is to cry. God. Wonderful? Crying is HELL. Crying is dangerous. Crying is like being dragged with already bleeding skin across broken glass. The pain it opens you to is very nearly intolerable. I feel I’m dying. And afterwards, when I stop, as if I have died. The bottom. Crying is when there’s no hope left. Defeat. To come back from crying is to come back from the dead. It is not release. Though she is still singing his song, any day now. And it occurs to me now that my experience with crying as hell, as next to suicide, came from the fact that I only cried alone, when I was certain no one could hear me. My crying had never been communication. I was so stupid, just like my country. My whole life, so secretive, so unknown, even to me, though shining, though coming, any day now. And ever since then, whenever I think of the elections, or every four years when they come around again, I see myself on that barstool in the old Grey Whale Bar before it burned crying my heart out in public for myself in prison like my country in the prison of its own making. I was so in prison I didn’t even know I needed release, like my country in prison, except for the ache that is pulled out of me every time by that song, which I’ve understood ever since to be my generation’s national anthem, sort of the voice of America, her crying and crying so publicly on the two hundredth anniversary of her birth, for release, all my generation crying, our lives, our whole history so shining. I didn't get to vote that year. Iwas crying too hard. Which was reason right there to cry some more. But still, I know, any day now, we shall be released. “Even the President of the United States sometimes must have to stand naked. ” For Pat Fitzgerald who sits stunned and crying as the results come in, this election night, November 6,1984. Port Townsend, Washington. Sharon Doubiago’s last CSQ story was “Son.” She lives in Port Townsend and makes the West Coast her home. Neo-muralist Henk Pander will debut in Corvallis later this year. "Mordecai's got the melanoia. It's the opposite of paranoia. And it works." A comic novel about the late 60s and early 70s. 224 pages. $8.95 + $1 post. CITY MINER BOOKS P.O. Box 176, Berkeley, CA 94701 Distributed by PGW, INGRAM & Bookpeople ANNE HUGHES GUEST HOUSE 2482 N.W. MARSHALL ST. PORTLAND, OREGON 97210 (503) 227-4440 AD INDEX APPAREL/ADORNMENT City People's Mercantile 22 Dreamland 11 Duds 23 Foreign Intrigue 25 George’s Place 11 Happy Trails 24 Isadora 19 MJ Feet 18 Wave II 19 ART/DESIGN Bruce Hale 14 Innervisions 25 ART/OFFICE SUPPLIES Frame It On Broadway 22 Kinko’s 23 Seattle Art 22 BOOKS MUSIC Bulldog News 23 City Miner Books 29 Left Bank Books 2 Quest Bookstore 11 CLASSES Haystack 28 EVENTS ACT Theatre 20 The Egyptian back page Ronnie Gilbert Concert 15 FOOD Belltown Cafe 11 Bill’s Off Broadway 25 Boston Street 19 Cascadian Farms 25 Cause Celebre 25 & 10 Central Coop 22 College Inn 11 El Cafe 19 Five-O-Tavern 22 Fountain of Youth 19 Guido’s Pizza 11 Hi Spot 2 Julia’s Eastlake 22 Julia's Wallingford 25 La Concha 23 Merchants Cafe 10 Murphy’s 2 Piccolo’s 24 Ristorante Pony 7 Springfield Creamery 18 Starflower 28 University Bar & Grill 18 Wildrose Tavern 11 GETAWAYS Anne Hughes Guest House Ptld/OR 29 Breitenbush Hot Springs OR 28 Ponderosa Village 23 HEALTH JBCNM Clinic 24 Virginia Mason Hospital 24 HOUSE & GARDEN City People’s Mercantile 22 Foreign Intrigue 25 Futon-X 18 NW Futon 10 Soaring Heart Futon 7 Unfoldings 25 Zenith Supplies 11 RELAXATION Acadia Massage 25 Comfort Zone Massage 10 New Seattle Massage 25 Zenith Supplies 11 Clinton St. Quarterly 29

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