CLINTON ST. QUARTERLY VOL4. MO. 3 HELLO. SEATTLE! Fall 1982 STAFF Co-Editors Peggy Lindquist Lenny Dee Jim Blashfield David Milholland Design and Production Jim Blashfield Production Assistants David Milholland Sharon Niemcyzk Proofreaders Walt Curtis Theresa Marquez Ad Production Peggy Lindquist Stacey Fletcher David Clifton Stan Sitnick Ad Sales Mike Bawaya David Clifton John Denton Lumiel Dodd Bob McLean Public Interest Marketing Typesetting Jill Wilson Al Schwartz Thanks — Archetype Camerawork Paul Diener Al Schwartz Contributing Artists Jim Blashfield Dana Hoyle R.K. Shepherd Steve Winkenwerder Contributing Photographers Michael Brush Eric Edwards Rich Iwasaki Thanks Tom Clark Eric Edwards Martha Gies Bob Jeniker John Laursen Paul Loeb Doug Milholland Ed Reckford Charlotte Uris Janet Wainwright Micheale Williams Advertisers call 367-0460 C T Hello Seattle. Hello Portland. This issue marks an historic turning point for us, as we simultaneously publish editions in both cities for the first time. Though matters of size, style and political philosophy often distinguish us, our commonality as two centers of a dynamic region impels us to take this big step. Driving through the lofty North Cascades this late summer, we were reminded of the many natural delights which drew and/or keep many of us here. From Crater Lake to Mt. Baker, from Lake Chelan to the Malheur, from the Olympics to Depoe Bay, we live in a veritable paradise. Lightly populated, its land largely accessible to the public, only the wearisome intrusion of sales tax serves to remind The CSQ’s specially designed transport plane _____________________winging its way toward Seattle.______ CONTENTS Cover Jim Blashfield us of state boundaries. Yet the bounty and beauty is ever threatened, as we noted a few miles west of the Cascade Crest, passing first by the three well-maintained, terrain altering Seattle City Light dams, and then into the Magic Skagit itself, where a dreary overlayer of pollution brought a lovely day into human relief. Such problems require a joint approach, as energy impacts and bad air so quickly leap borders. A case in point, the WPPSS adventure, pulled all of us into its sticky web. Both private and public utilities, long used to the bountiful energy of our hydro-rich region, picked the nuclear solution just as its costs began spinning out of control. Washington’s Senator “Scoop” Jackson then pushed through the Northwest Regional Power Bill to make sure the greed and poor planning of a few individuals would be borne on many shoulders. I/Ve are also being asked to bear, as a region, the risks incumbent in our role as a major producer and deployer of armaments. In our pages recently, Historian William Appleman Williams pointed out that “surely the Pacific Northwest is as much a theater for ‘limited nuclear war’ as Western or Eastern Europe. Boeing and Hanford are unquestionably as important as any Russian centers west of the Urals.” Seattle’s Catholic Archbishop Raymond Hunthausen, in his refusal to pay the “defense” half of his taxes, and this summer’s stop-Trident boat force offer us examples of positive responses. Reagan’s minions have recently been babbling about a “winnable nuclear war, ” yet with the equivalent of one million Hiroshimas arrayed in battle position, it becomes apparent that a response is called for. The fact that Trident, Boeing, Hanford and Oregon’s Teledyne Wah Chang are major employers should never jade us to the ultimate aim of such production. The Clinton St. Quarterly intends to open up a dialogue about these and other issues. We will also examine, in zesty detail, the cultural life of our area. And as in the past, we will feature articles about the world beyond: France and Nepal, Brazil and El Salvador, New York and New Orleans. To say that we are a “regional” paper will hopefully never limit us to a provincial outlook. In fact, by tapping into the talents of writers and artists throughout the region, we fully expect to continue improving an already stimulating publication and attempting to redefine what can happen out here “in the provinces.” ■ DM Cheeveresque Mark Gray.................... 4 Nuclear Culture Paul L o e b .................... 8 True Defense Ron Dellums................12 Leaving Monkey Island Edwin Dobb.................16 Henk Pander: An Artist of Two Worlds Penny Allen...................18 Blocnos & Slocni Paul Ollswang............. 22 The Nocturnal Intruder Jim Blashfield.............. 23 That Grand Wild Sound of Bop Lynn Darroch .................. 27 In Women’s Strong Hands Lenny Dee.......................31 Music for the Sleeping World Michael Brush.................36 The Clinton St. Quarterly is published by the Clinton St. Theatre, 2522 SE Clinton, Portland, OR 97202 (503) 222-6039. Unless otherwise noted, all contents copyright © 1982 Clinton St. Quarterly. WHAT SORT OF PEOPLE READ CLINTON STREET QUARTERLY? Lo m rd a k k e n h o e w a s d s w o e r 'v t e a i r ls u n o u et n o o f u g th h e e m xp O en ne s iv th ei n d g em w o e g d ra o p k h n ic o w st u is d t i h es a, t b f u o t u t r o ti m be e p s e a r f y e e c at r l y w h e o t n a e k s et , o w u e r s c e a m n' i t distinguished journal of humor, commentary, fiction, political analysis and eyeball snagging graphics off to the printer and within days there aren't any of them left in our humming distribution center, the stamps are all gone, and we begin getting rude phone calls in the night, some from as far away as Borneo and Missoula. Montana! So if you can't afford to spend your valuable time standing around on street corners four times a year, but you want to be up on what’s what and all that try subscribing to the CSQ Four issues, five bucks Enclosed is my $5 00 for 4 issues of the CSQ you hyperbolic devil Name _________ Address ________;____ _________ __ _ City _________________________ State____ Zipparoo___________ Mail to: CSQ, 2522 SE Clinton. Portland, OR 97202 CLINTON ST. QUARTERLY Clinton St. Quarterly 3
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